WEBVTT

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Something doesn't seem quite right.

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Welcome to Not Quite Right.

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My name's Ed, and I'm Amanda,
And we are here at Words on the Waves,

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and we're speaking today with Jennifer
Mills.

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We spoke to Jennifer about fairy tales,
actually.

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So Jennifer was invited to reimagine the
story of Hansel and Gretel for the stage.

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And we also talked about the experience,
I suppose,

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of having your work translated to the
stage and seeing how someone else has

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imagined your writing.

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And we also spoke to her about the
climate emergency and what hope there is

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for the future.

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So here is our chat with Jennifer Mills.

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We are here at Words on the Waves with
Jennifer Mills.

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Good morning.

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So you're here at Words on the Waves for
a few things.

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Why don't you tell us what brings you
here?

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Well, I did a couple of events yesterday.

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One was about the publishing industry as
part of the professional development

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stream,
and that was fantastic to talk with some

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emerging and aspiring writers.

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And yesterday I also chaired a session
called Inked In,

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which was about bushfires and Australian
writing with three really interesting

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novelists.

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And today I'm talking about fairy tales
on a panel with Kate Holden,

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which will be very exciting.

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And is that in relation to your book?

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Yes,
so this is actually the book that I'm

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talking about today is actually a side
project.

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So I do have a practise as a novelist
myself.

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So my last book was Salvage which came
out in June last year.

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But then in my spare time I was
commissioned to write a reimagined

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version of Hansel and Gretel by a theatre
company in Adelaide called Slingsby for a

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show they were doing called A Concise
Compendium of Wonder.

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They commissioned 3 writers to write
stories.

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They're all staged by the same three
actors.

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They are each one hour plays.

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And I wasn't writing directly for theatre,
I was writing a short story that was then

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adapted for theatre.

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So it was a very,
very interesting process because it was

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the writing part of it was quite ordinary,
my own.

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But then the the production and seeing it
all happen was very magical.

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So did you have a role in the playwriting
or did you step aside once you'd written

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the short story?

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I stepped aside.

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Slingsby did tap me on the shoulder
occasionally and asked my opinion about

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certain things,
but it wasn't a process where I was

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involved in the the adaptation or the
script.

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And for me that was really exciting
because it was it allowed me to see what

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someone else would do with it.

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So when you write a novel,
it has to be imagined again by a reader,

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but as a writer,
you don't get to see how they imagine it

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or what their interpretation is unless
they tell you.

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Sometimes people do at festivals,
like why did you do this?

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And they'll say things that I'm like, oh,
I didn't know that was there.

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But with theatre,
who is able to very quickly see how how

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they managed the sort of storytelling,
how they built the world,

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how they imagined the characters,
hearing sense and everything as well,

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you actually get to visualise it.

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So yeah.

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And hearing your own words.

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So the the script actually is quite
verbatim to the story because it is a

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storytelling kind of a play.

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And they're staged for young people.

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So it's very much like, come in,
we're telling you this story,

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which is fantastic,
but hearing your own sentences spoken

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really beautifully by professional actors
is something that I think I could get

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really addicted to.

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OK, so tell us about the adaptation.

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You're saying Hansel and Gretel.

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What was your take on that?

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So I set the story in a kind of fairy
tale mediaeval village.

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But I was interested in the idea of the
famine and the hunger of these children

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and why they would be hungry was my
starting off point.

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And from there,
I sort of created this world where

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there's a landlord who's collecting
tithes or taxes from the peasants.

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And this family,
they've lost their mother.

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So the two kids are living with their
father.

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They're very poor.

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And it hasn't stopped raining for about
two years at this point.

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And so the land is not producing anything.

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And they're working the land for somebody
else, for the landlord basically.

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So I was interested in the kind of social
causes of famine rather than are you

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getting these ideas?

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I know well the world around me.

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But I was also looking at my own sort of
family story as well because my mother's

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family is Irish.

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So I was interested in that history and,
you know, colonisation causing famine.

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And the kids in the story who are called
Cran and Ray, they're sort of teenagers,

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young tweens I'd say.

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They selected by the landlord to be taken
to the town and there is a threat that

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they will be eaten because the famine is
so terrible.

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And they escape and they run into the
forest and then things get really magical

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from there.

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So that was my interpretation.

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Rather than making it an evil witch in
the forest.

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I was really interested in, OK,
where is the villain in this story?

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Where can I sit the villain?

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And you got some dark themes there, right?

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And you mentioned it's directed at young
people.

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Did you find yourself able to really
explore those and let loose,

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or did you have to hold back a little bit
on the exploration to protect young minds?

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It was interesting, you know,
because I didn't really think about it.

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And when I had the initial meeting with
Slingsby, I said,

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but I don't write for children.

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And they said don't worry about it,
Just do what you always do.

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We'll figure it out.

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And so I was sort of encouraged to not
hold back really.

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OK.

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But one of the other writers,
Ursula Dubisaski, is a kids writer.

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And so her story has a really different
kind of tone that is, you know,

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probably more age appropriate.

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But it's I also think that just kids can
handle a lot more than we think they can.

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Well,
Hansel and Gretel in it's a original form

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is pretty dark.

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It's a very brutal story.

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There is cannibalism in it.

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I didn't make that up.

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But I also know that a lot of kids
already do handle a lot more than they

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have to in this world.

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Like,
people are dealing with poverty and

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hunger all the time.

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People are dealing with families and
landlords causing trouble in their lives

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and, you know, homelessness.

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And we shouldn't live in a society where
those things are happening,

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but they are happening and kids know
about them experiencing them.

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So I wanted to speak to those kids as
well,

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the kids who needed a story like this,
where those kids get to be the heroes.

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That's it.

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Like there is a level.

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And we were talking with one of the other
authors about this,

bbc7f8fe-afd7-47d9-8b56-7df0c49f1d20-1
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of release that comes with being able to
experience that as fiction.

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And even though it's dark and even though
it's hard,

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it comes with this sense of like,
release that you've been able to think

858ebb61-d861-4022-9939-a56d4b84ffef-2
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about and talk about in a Safeway.

21983ee6-fbc2-4dea-bf5a-8203a7e183df-0
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Yeah.

cace426a-c211-4f83-9540-2d9a34d74914-0
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And I think that's part of the the fairy
tale form as well.

09d5489e-b06e-4f44-8a30-509a142bac66-0
00:07:14.680 --> 00:07:18.676
Like really dark things can happen,
but you returned safely to your own

09d5489e-b06e-4f44-8a30-509a142bac66-1
00:07:18.676 --> 00:07:19.120
reality.

b5ae03da-47c4-4150-a4f9-6079f1dea811-0
00:07:19.200 --> 00:07:19.640
That's it.

2a9216f9-492d-4e4f-a686-705ae75a195d-0
00:07:20.240 --> 00:07:23.005
I think as well, like, you know,
when we think of fairy tales,

2a9216f9-492d-4e4f-a686-705ae75a195d-1
00:07:23.005 --> 00:07:23.840
we think of morals.

7c9b1fba-5aa7-4bb7-a7f5-d9871754538a-0
00:07:24.120 --> 00:07:27.520
So we did you work to kind of avoid the
moral.

9964b92d-c08f-435a-a18b-3599567ee285-0
00:07:27.520 --> 00:07:30.080
Were you working into that moral view?

a6d6ec4b-8657-41fb-9b69-9eb040054a1a-0
00:07:30.080 --> 00:07:33.360
Like how did you treat that aspect of
storytelling?

43558a6b-edb6-401f-b194-958ce06cba45-0
00:07:33.560 --> 00:07:36.440
I didn't think too much about morality.

5c3f2d02-d3ac-491c-8d90-e68f60d9109b-0
00:07:36.440 --> 00:07:40.560
I thought a lot about responsibility and
our relationship to nature.

3cc7c8f4-fbea-419a-9c73-19c1e81bf8c8-0
00:07:41.080 --> 00:07:43.640
So the story is set in a kind of.

224106cc-4755-431e-8de1-52417301bfc6-0
00:07:43.640 --> 00:07:49.031
When the enclosure of the natural world
is just beginning and the peasants is

224106cc-4755-431e-8de1-52417301bfc6-1
00:07:49.031 --> 00:07:52.280
there cutting down trees,
removing the forest.

1a1e13b4-6c74-4896-bb54-0ad00ef66b54-0
00:07:52.280 --> 00:07:54.692
And I was thinking about the climate
emergency,

1a1e13b4-6c74-4896-bb54-0ad00ef66b54-1
00:07:54.692 --> 00:07:57.960
which is another really massive thing
that kids have to do with.

c454ca0d-8395-426a-ac84-6234bc57cc5a-0
00:07:58.360 --> 00:07:59.320
They shouldn't have to.

5422691b-1559-4006-b699-64cc1d796675-0
00:07:59.880 --> 00:08:05.293
I wanted to tell a story that would help
people to navigate that by taking it back

5422691b-1559-4006-b699-64cc1d796675-1
00:08:05.293 --> 00:08:08.814
to a place where decisions could be made
differently,

5422691b-1559-4006-b699-64cc1d796675-2
00:08:08.814 --> 00:08:11.880
I suppose about real relationship with
nature.

fba5c17d-7a93-415f-9b48-98638f9a63e4-0
00:08:12.160 --> 00:08:18.480
But I also just wanted it to be fun and
like, a bit scary, but also awesome.

943f1787-93b7-45dc-8b78-885fc36783cf-0
00:08:18.600 --> 00:08:21.240
Like, awesome fun kind of magic.

411d1b6a-125b-487f-b580-d5e3479ae2de-0
00:08:21.240 --> 00:08:25.826
And so I have that in mind more than the
moral kind of instruction just to

411d1b6a-125b-487f-b580-d5e3479ae2de-1
00:08:25.826 --> 00:08:27.600
entertain pure entertainment.

eed48247-1d0b-4a45-858d-cda8ccce0c5e-0
00:08:27.760 --> 00:08:28.040
Yeah.

dd8bdcd5-3269-4031-985a-01146b5469e3-0
00:08:28.120 --> 00:08:30.240
And I think that stuff kind of comes out
anyway.

f394fec2-704c-4f25-95fc-f6011271dc10-0
00:08:30.240 --> 00:08:33.073
Like when you're a writer,
you have your own values and they emerge

f394fec2-704c-4f25-95fc-f6011271dc10-1
00:08:33.073 --> 00:08:35.240
through your work,
whether you want them to or not.

02e89cbd-b369-4ddd-be10-945656dceb4d-0
00:08:35.560 --> 00:08:40.673
They they're transparent most of the time
because it's your worldview and you can't

02e89cbd-b369-4ddd-be10-945656dceb4d-1
00:08:40.673 --> 00:08:41.160
help it.

b0e11529-495b-410b-9079-e8fb5c2220b2-0
00:08:41.160 --> 00:08:44.960
So I just trust that that stuff will will
be there and get through.

425c3887-e362-45f3-80dd-6ce197b2bce4-0
00:08:45.160 --> 00:08:49.400
And you talked about being involved in or
seeing the process kind of take shape.

42c16fff-d225-47d7-9ff2-7806f3934ade-0
00:08:49.600 --> 00:08:53.063
Were you also able to see the finished
product and see the kids reaction to the

42c16fff-d225-47d7-9ff2-7806f3934ade-1
00:08:53.063 --> 00:08:53.800
finished product?

1012798a-c9ad-4303-bc34-7c7103598309-0
00:08:53.800 --> 00:08:55.000
Was that what you expected?

700c34e2-3436-4837-8376-b3d26cd155b6-0
00:08:55.000 --> 00:09:00.344
So this year the three plays were staged
as part of the Adelaide Festival and they

700c34e2-3436-4837-8376-b3d26cd155b6-1
00:09:00.344 --> 00:09:05.174
built a bespoke building for this
production which can be packed down into

700c34e2-3436-4837-8376-b3d26cd155b6-2
00:09:05.174 --> 00:09:10.261
a shipping container for easy transport
because they wanted to create a carbon

700c34e2-3436-4837-8376-b3d26cd155b6-3
00:09:10.261 --> 00:09:12.000
neutral theatre production.

aa54613f-081e-482e-b668-ac3f256568e3-0
00:09:12.280 --> 00:09:16.560
So they're really working to their values
as a company.

7af9c240-e593-4cc4-9df8-3ba06baec23e-0
00:09:16.600 --> 00:09:21.579
And so I was lucky enough to go and see
all three plays and they were just

7af9c240-e593-4cc4-9df8-3ba06baec23e-1
00:09:21.579 --> 00:09:23.040
beautiful, so magical.

44111a3b-cea6-4ad6-a44d-4af9ece3ed37-0
00:09:23.240 --> 00:09:24.240
And it's incredible.

d904e7a6-cd97-44bc-b34e-97b09652f8ff-0
00:09:24.240 --> 00:09:27.488
When you're a writer,
you sort of work on your own a lot,

d904e7a6-cd97-44bc-b34e-97b09652f8ff-1
00:09:27.488 --> 00:09:30.904
but to have this,
all of these different artists brought in,

d904e7a6-cd97-44bc-b34e-97b09652f8ff-2
00:09:30.904 --> 00:09:34.992
like the designers, the actors,
the musician who composed music for each

d904e7a6-cd97-44bc-b34e-97b09652f8ff-3
00:09:34.992 --> 00:09:35.440
of them.

7e144a54-b542-49c3-a969-7cc55bc69494-0
00:09:35.560 --> 00:09:39.007
And they're all like really different
worlds,

7e144a54-b542-49c3-a969-7cc55bc69494-1
00:09:39.007 --> 00:09:43.280
but done with similar materials and the
same exact room.

3a671b18-c47c-48c2-8396-d1db26f91ebd-0
00:09:43.920 --> 00:09:45.920
And it was just incredible to see.

92263e79-39e2-48d8-9bb8-d22e69d757e4-0
00:09:46.040 --> 00:09:48.690
It's incredible to me,
like the investment that must have gone

92263e79-39e2-48d8-9bb8-d22e69d757e4-1
00:09:48.690 --> 00:09:51.720
into this and all the different artists
and bringing them all together.

34d1a833-1c3e-4b23-85dc-572ba0e26de4-0
00:09:51.720 --> 00:09:54.600
So who was behind creating this?

cc37747c-8468-4ed1-af3c-a8d674fc599b-0
00:09:55.080 --> 00:10:00.440
So Slingsby has been operating in
Adelaide for the 19 years.

7d00b1be-413b-40b3-a259-d2067e95491e-0
00:10:00.440 --> 00:10:02.360
This is actually their final production.

5e218d85-fa6c-430d-b3ae-172e8c1c6559-0
00:10:02.360 --> 00:10:07.254
They're closing up as a company partly
because funding is so difficult,

5e218d85-fa6c-430d-b3ae-172e8c1c6559-1
00:10:07.254 --> 00:10:12.760
but also I think they wanted to end on a
high and close out on a beautiful note.

179ae183-7e73-4eef-9d09-57cfca8f7dca-0
00:10:13.080 --> 00:10:18.354
So it was a big responsibility to write
for this in terms of that company's

179ae183-7e73-4eef-9d09-57cfca8f7dca-1
00:10:18.354 --> 00:10:18.840
legacy.

cdcbcf18-d472-4cc1-9817-ac49a42428cb-0
00:10:19.080 --> 00:10:22.079
But yeah,
they're funded through various structures

cdcbcf18-d472-4cc1-9817-ac49a42428cb-1
00:10:22.079 --> 00:10:26.637
like state and federal funding and also a
lot of donations and subscribers and

cdcbcf18-d472-4cc1-9817-ac49a42428cb-2
00:10:26.637 --> 00:10:27.560
stuff like that.

de683fe8-c58f-405c-9725-6c41fd7c3bd3-0
00:10:27.560 --> 00:10:29.280
So tickets, yeah.

5da74234-a706-4200-94ca-c27418a4c0d5-0
00:10:29.360 --> 00:10:30.960
And you mentioned your work as a novelist.

0b438edb-9538-4486-9a15-f1ae7214410c-0
00:10:31.040 --> 00:10:33.800
Do you explore the same kinds of themes
in your novels?

3f0246fa-cf45-45e9-a701-ef52f2fc7efe-0
00:10:33.920 --> 00:10:34.960
Yeah, definitely.

57c425f7-127e-44b3-a071-8396c2702085-0
00:10:34.960 --> 00:10:40.041
I'm pretty focused on the climate
emergency and the shifts that need to

57c425f7-127e-44b3-a071-8396c2702085-1
00:10:40.041 --> 00:10:43.428
take place,
which we're really not doing at the

57c425f7-127e-44b3-a071-8396c2702085-2
00:10:43.428 --> 00:10:44.840
moment as a species.

ae00e30b-d76b-4bce-a474-830b665f5b26-0
00:10:44.840 --> 00:10:50.586
We're not self correcting and we're going
to keep running up into kind of natural

ae00e30b-d76b-4bce-a474-830b665f5b26-1
00:10:50.586 --> 00:10:53.320
disasters and crises of our own making.

cca43daa-f8da-4343-91be-67ce362b002d-0
00:10:53.320 --> 00:10:57.297
So last year in SA,
we had an algal bloom that was partly

cca43daa-f8da-4343-91be-67ce362b002d-1
00:10:57.297 --> 00:11:01.342
caused by the condition,
conditions related to the climate

cca43daa-f8da-4343-91be-67ce362b002d-2
00:11:01.342 --> 00:11:04.565
emergency,
which include the wind and currents

cca43daa-f8da-4343-91be-67ce362b002d-3
00:11:04.565 --> 00:11:09.228
slowing down, very hot days,
very hot still days and the algae just

cca43daa-f8da-4343-91be-67ce362b002d-4
00:11:09.228 --> 00:11:13.000
kind of bloomed because of that,
killed a lot of fish.

1bf2c0f3-0a1e-441b-af25-a96a80af161b-0
00:11:13.560 --> 00:11:17.800
So these are the things that are kind of
in my world that are surrounding me.

152ed22b-e59f-455f-b9fc-dfc57efcdb23-0
00:11:17.800 --> 00:11:20.612
But I also,
I wrote a book a few years ago called

152ed22b-e59f-455f-b9fc-dfc57efcdb23-1
00:11:20.612 --> 00:11:23.481
Discronia,
in which the sea retreats and the beach

152ed22b-e59f-455f-b9fc-dfc57efcdb23-2
00:11:23.481 --> 00:11:25.000
is covered in dead animals.

eded068e-4508-48ac-a3b8-fc139946b636-0
00:11:25.320 --> 00:11:28.556
And so when the algal bloom happened,
I kept getting these text messages from

eded068e-4508-48ac-a3b8-fc139946b636-1
00:11:28.556 --> 00:11:30.880
people saying your book came true,
your book came true.

541089fd-e873-4ca7-942c-b9c1af706b6b-0
00:11:31.000 --> 00:11:32.560
It's like, it's not my fault.

9a635dc8-8171-4b57-83da-353fd4d924bd-0
00:11:33.480 --> 00:11:37.393
But I think as a writer,
I'm really moved by these kind of images

9a635dc8-8171-4b57-83da-353fd4d924bd-1
00:11:37.393 --> 00:11:40.240
of uncanny nature and uncannyness in the
world.

c791c76f-fd0f-400f-a559-2665f158481f-0
00:11:40.240 --> 00:11:44.720
And so that's my sort of angle where I
keep returning to salvage.

2131066a-5296-4e83-93fd-b3d3664a0934-0
00:11:44.720 --> 00:11:49.269
My last novel is set in the near future,
and it's about space billionaires,

2131066a-5296-4e83-93fd-b3d3664a0934-1
00:11:49.269 --> 00:11:53.520
but the space billionaires are sort of
fairly peripheral to the story.

113226d0-54e1-4e35-b358-14b7a6f1f7ff-0
00:11:53.520 --> 00:11:59.664
So there's two sisters and one escapes to
a space station and the other stays on

113226d0-54e1-4e35-b358-14b7a6f1f7ff-1
00:11:59.664 --> 00:12:00.120
Earth.

0ca9093d-5bc7-466d-89e6-14559b42a368-0
00:12:00.480 --> 00:12:04.280
And so it's sort of the mostly the one
that stays on Earth's life.

74fa1bfa-d923-4b95-b1a9-9e44b0d1f7fc-0
00:12:05.400 --> 00:12:08.533
How do you find like you're obviously
writing about these big themes and I

74fa1bfa-d923-4b95-b1a9-9e44b0d1f7fc-1
00:12:08.533 --> 00:12:10.080
imagine you're very interested in it.

c2345841-2426-414a-a3ce-fe389e37b65d-0
00:12:10.080 --> 00:12:13.680
So it suggests that it's something that
maybe you find distressing as well.

17e851e5-2cb4-4443-bd62-27daed5ad41a-0
00:12:14.000 --> 00:12:18.870
So to immerse yourself in these ideas and
spend so long thinking about them and

17e851e5-2cb4-4443-bd62-27daed5ad41a-1
00:12:18.870 --> 00:12:22.341
writing about them,
do you find that that soothes you or

17e851e5-2cb4-4443-bd62-27daed5ad41a-2
00:12:22.341 --> 00:12:26.360
feels like a release of those worries or
does it feed it as well?

79a66186-6a03-425f-8986-0b6a5b1dada5-0
00:12:26.440 --> 00:12:30.840
I am really anti putting my head in the
sand.

4fe89a0e-8778-4ef6-838b-424acd0da76f-0
00:12:31.080 --> 00:12:33.640
Generally in life, I like to face things.

afae6367-47e1-4270-a270-936aad82b45d-0
00:12:33.960 --> 00:12:38.744
I think that information power,
and I do find it very soothing to to

afae6367-47e1-4270-a270-936aad82b45d-1
00:12:38.744 --> 00:12:40.200
think things through.

d025d115-6fc8-45aa-a96b-8bc55c62972b-0
00:12:40.200 --> 00:12:43.176
And it's not necessarily because I find
the answer,

d025d115-6fc8-45aa-a96b-8bc55c62972b-1
00:12:43.176 --> 00:12:47.926
it's because I feel better informed and I
can make better decisions and I can have

d025d115-6fc8-45aa-a96b-8bc55c62972b-2
00:12:47.926 --> 00:12:51.360
conversations with people and we can
learn from each other.

9bea2826-f7ae-4881-93ea-e49bf1402694-0
00:12:51.520 --> 00:12:53.996
And as a writer,
I think you have a bit of a

9bea2826-f7ae-4881-93ea-e49bf1402694-1
00:12:53.996 --> 00:12:58.289
responsibility in terms of what stories
you tell and where they come from and

9bea2826-f7ae-4881-93ea-e49bf1402694-2
00:12:58.289 --> 00:12:59.720
what they do in the world.

acda189f-6903-43de-aa8f-546b6eb228fa-0
00:13:00.120 --> 00:13:03.823
I don't know if it's a responsibility or
a curse,

acda189f-6903-43de-aa8f-546b6eb228fa-1
00:13:03.823 --> 00:13:09.453
but I do feel like fiction kind of
carries that emotional weight for people

acda189f-6903-43de-aa8f-546b6eb228fa-2
00:13:09.453 --> 00:13:10.120
in a way.

683fd9a9-ec0d-488d-96d0-b6b5f051ebe4-0
00:13:10.120 --> 00:13:13.480
And you're right,
like stories are quite cathartic.

a1a8e4d3-c092-4d7f-8a87-031c0af3e807-0
00:13:13.800 --> 00:13:16.610
And I want,
I want my books to be meaningful to

a1a8e4d3-c092-4d7f-8a87-031c0af3e807-1
00:13:16.610 --> 00:13:17.840
people who read them.

c7369cd8-371f-404f-91b2-65f2156e901f-0
00:13:17.840 --> 00:13:21.196
I don't want them to just be some
disposable rubbish that could be

c7369cd8-371f-404f-91b2-65f2156e901f-1
00:13:21.196 --> 00:13:23.000
generated by a large language model.

e80d8ce2-e93f-41a3-951c-87e0bd9eee13-0
00:13:23.120 --> 00:13:25.280
You know, it's a human to human contact.

a82b7962-34ce-4ba3-987c-02795aaf3722-0
00:13:25.280 --> 00:13:26.320
Yes, absolutely.

9f3e6217-f9da-44f1-ac3e-ad150a479af4-0
00:13:26.400 --> 00:13:28.510
You know,
you want to create something beautiful

9f3e6217-f9da-44f1-ac3e-ad150a479af4-1
00:13:28.510 --> 00:13:29.200
and awesome fun.

13687e61-5290-4499-a1c9-5518f95c67fa-0
00:13:29.200 --> 00:13:31.960
But also something that helps in some way.

8dfa323a-3c57-4533-8912-31fcc904d060-0
00:13:32.320 --> 00:13:36.280
So you see your role as a writer as
helping other people and communicating

8dfa323a-3c57-4533-8912-31fcc904d060-1
00:13:36.280 --> 00:13:37.600
and sharing that message.

39b550a1-e64a-440c-8575-b122c20a3697-0
00:13:37.600 --> 00:13:39.000
I don't think that's my role as a writer.

9afc258e-2f90-4787-82af-53c395f70a37-0
00:13:39.000 --> 00:13:40.800
I think that's just who I am as a person.

1bfbb554-29a4-4851-9aba-95161d22eb6b-0
00:13:40.800 --> 00:13:42.680
Like I just like to be useful in the
world.

c7895841-55ae-45aa-a327-3dbea0ad8e6a-0
00:13:42.680 --> 00:13:46.280
It's how my life has value, I feel like.

1afe4d02-676c-44ea-b73b-7c1422367610-0
00:13:46.280 --> 00:13:48.800
So you mentioned obviously the climate
emergency.

aa9eb4bb-9f9e-48e8-ae1c-c06817673a1f-0
00:13:49.040 --> 00:13:53.893
I feel like the public discourse on that
has maybe regressed in the last five

aa9eb4bb-9f9e-48e8-ae1c-c06817673a1f-1
00:13:53.893 --> 00:13:54.640
years or so.

382a4fff-9185-4fbb-8fcf-c49be7b7a177-0
00:13:54.880 --> 00:13:58.364
And some of those images that you
mentioned that feature in your books

382a4fff-9185-4fbb-8fcf-c49be7b7a177-1
00:13:58.364 --> 00:14:01.800
around the the dead animals washing up,
there's very powerful images.

47bb7014-bd87-4856-93b9-b92c084f52ef-0
00:14:01.800 --> 00:14:05.323
Do you have any hope that things will
change in the future and that action will

47bb7014-bd87-4856-93b9-b92c084f52ef-1
00:14:05.323 --> 00:14:05.720
be taken?

e3e017e8-90a9-44cd-97fc-bda60efef04a-0
00:14:06.080 --> 00:14:07.160
Yeah, absolutely.

11edd4cc-f363-4bdd-a8ea-fd19fcad153d-0
00:14:07.160 --> 00:14:10.400
And the thing that gives me hope is that
people are taking action now.

e3a97682-aa31-468e-a141-10b2c57b9cc0-0
00:14:11.040 --> 00:14:15.766
So I think one of the reasons that we've
retreated a bit from addressing the

e3a97682-aa31-468e-a141-10b2c57b9cc0-1
00:14:15.766 --> 00:14:20.800
climate crisis is because of the pandemic
was such a system shock to the culture.

086e1e87-3264-4870-b726-7806a8f22239-0
00:14:21.160 --> 00:14:25.040
And it's sort of how this compound crisis
operates.

1b16d447-2e7a-405f-9093-7a5a2ec6213c-0
00:14:25.320 --> 00:14:29.253
So things become difficult and then
they're compounded on the last difficult

1b16d447-2e7a-405f-9093-7a5a2ec6213c-1
00:14:29.253 --> 00:14:29.560
thing.

a52ae728-8c75-432c-a8e9-5ff42ffffa83-0
00:14:29.560 --> 00:14:34.080
And then these crises get closer together
and more difficult to solve.

134b73cb-0a1d-41d6-97ce-8c17d61b525f-0
00:14:34.080 --> 00:14:37.200
And then you end up in this sort of
emergency mindset.

02c73e17-3f49-4d05-bbb7-843ee31b658f-0
00:14:37.520 --> 00:14:40.400
And so that actually changes the way that
you think.

8b360107-132b-40fe-9bf1-4746429e2271-0
00:14:40.400 --> 00:14:42.440
It changes how you operate.

d6af40c0-52e8-49d0-8e3b-d182cb836089-0
00:14:42.520 --> 00:14:46.288
It can make you more selfish,
It can make you shut down and not want to

d6af40c0-52e8-49d0-8e3b-d182cb836089-1
00:14:46.288 --> 00:14:47.440
think about the world.

a7cd0180-3087-4e1b-b9ff-aa1b4af77ca6-0
00:14:47.440 --> 00:14:50.118
I mean,
I open the news and I look at pictures of

a7cd0180-3087-4e1b-b9ff-aa1b4af77ca6-1
00:14:50.118 --> 00:14:53.064
Gaza and I don't want to think about the
world either,

a7cd0180-3087-4e1b-b9ff-aa1b4af77ca6-2
00:14:53.064 --> 00:14:56.600
but I have a choice to switch that off
and a lot of people don't.

4126f42b-de38-493a-a687-2711c47af073-0
00:14:57.040 --> 00:15:00.925
The things that make me feel optimistic
is how many people are thinking and

4126f42b-de38-493a-a687-2711c47af073-1
00:15:00.925 --> 00:15:02.920
writing and taking action about it now.

0c37022e-8a4d-498f-90a3-fde4b759c4c3-0
00:15:03.320 --> 00:15:06.911
And especially young people,
like all of the schools strike for

0c37022e-8a4d-498f-90a3-fde4b759c4c3-1
00:15:06.911 --> 00:15:11.343
climate stuff and the actions that have
happened in Newcastle in recent years,

0c37022e-8a4d-498f-90a3-fde4b759c4c3-2
00:15:11.343 --> 00:15:15.440
shutting down the coal port and stuff
have been really inspiring for me.

8250c31f-a16b-42f2-bdd7-846fb8032e25-0
00:15:15.440 --> 00:15:17.200
So keep doing that stuff everybody.

9b9e1a8d-f7d0-4189-b962-10ce8b964629-0
00:15:17.200 --> 00:15:17.520
Excellent.

5465f4a1-be64-41b6-8777-07c5979b6bab-0
00:15:19.200 --> 00:15:20.480
All right, Well,
it was lovely speaking to you.

2640b189-cece-41d4-9e30-1204b62b7af7-0
00:15:20.880 --> 00:15:23.280
Thank you so much for having me on with
your panel.

f04100a2-8830-48f2-a703-299c3dfe28b0-0
00:15:23.440 --> 00:15:24.000
Cheers.

d946a780-a37b-4adc-a0a2-5b829de14900-0
00:15:26.360 --> 00:15:29.893
This has been a special presentation of
the Not Quite Right podcast in

d946a780-a37b-4adc-a0a2-5b829de14900-1
00:15:29.893 --> 00:15:32.680
collaboration with Words on the Waves
Writers Festival.

05b0dab1-9326-4fa1-a695-f061a939ece5-0
00:15:33.080 --> 00:15:36.653
Check the show notes For more information
about Words on the Waves and the books

05b0dab1-9326-4fa1-a695-f061a939ece5-1
00:15:36.653 --> 00:15:37.800
mentioned in this episode.

9bf9e5bc-ba07-40e6-aa39-8d922d8fabaa-0
00:15:38.160 --> 00:15:41.135
If you're new to the podcast,
please join us again for our regular

9bf9e5bc-ba07-40e6-aa39-8d922d8fabaa-1
00:15:41.135 --> 00:15:44.200
episodes where we talk about media,
culture, and the art of writing.